John Buys Comics: December Edition

That's right, it's December, that magical month in which I don't seem to actually be doing a whole lot more with my time but somehow there still never actually seems to be enough time to do things. 

So much was bought but little was read, so sad, so sad. No matter! Here are some bullet points for you all.

- King City No. 12: Either this was the end of the series and I will be sad or issue 13 will be a fantastic jumping-on point for newbies. In either case this was a terrific comic. Seldom have I felt such satisfaction as several plotlines wrapped up at once, a task at which comics are frequently terrible. 

- Doom Patrol No. 17: I don't even care if this story continues next issue. That was one of the most brilliantly groan-worthy last-page gags I have ever seen. 

- Action Comics Annual No. 13: I'm still processing this one. The inclusion of what amounts to mentoring from some of the greatest super-menaces in the DCU to Lex Luthor's origins is an interesting one and it certainly could work with the character that I hold so dear. It's still a pretty radical addition to the Lex Luthor: Self-Made Man characterization that is so central to his interactions with the world. I'll wait and see how they handle this - frankly, the most unnerving thing about the issue was Luthor's eerie resemblance to Jimmy Olsen.

- Marineman No. 1: I liked this, and it has potential, but I have no ability to gauge a series' worth from its first issue. Check back in January.

And of course:

- Achewood: A Home For Scared People: One of the greatest comics on the Internet gets another beautiful hardcover from Dark Horse. Features not only Roast Beef's trip to the Moon but a series of intensely enjoyable text pieces on the nature of Ray and Beef's relationship. Smiles for miles!

And now I am off to once again fret over season obligations and stresses. Ta ta!

The Unfunnies: Little Pete, Friend to Animals

I haven't featured many of the Unfunnies stars more than once, and there's one very simple reason for that: they are nearly numberless. There was at least one recurring strip in each comic that DC published during the 40s through the 60s, and many of them rotated in and out as tastes changed or as the theme of the book shifted. One perennial player was Little Pete, who stood in for all little little boys in the world. He was a bit like Denis the Menace, only kind of dumb. Here he is, engaged in family-friendly mischief:

Funny thing is, my friend and I used to do the same thing when we were youngsters. Only, uh, replace "fool into climbing telephone pole" with "release onto busy highway." Semantics, really.

John Reviews: Textura Dos

 

This review starts with a tangent, I’m afraid. Or maybe the rest of this will be tangential to this little story, depending on how strict you want to be with your definitions.

In any case, here it is: I have a bad case of Progressive Procrastination, which is characterized by the subject finding it increasingly easy to put something off the longer they have already done so. If any of my former professors are reading this, you now have an explanation for all of those times you found my essays slipped under your office doors roughly five minutes after the last possible second that they were due, still warm from the printer and held together with a hair clip I found on the ground on the way from the computer lab. This is also the reason that Textura Dos has been sitting on my coffee table for over a month instead of being long-since reviewed. Oh, the ignominity of my affliction.

All of this would be irrelevant and would only serve as a pitiful excuse to the nice folks at who sent me the book in the first place except that this one time, my horrible habits have paid off! More on that later, though – first, let me tell you about the book.

In Textura Dos, Matt Fox-Tucker and Guilherme Zauith explore the street art of Buenos Aires, Argentina, presenting a series of photographs of some of the most striking and beautiful pieces in the city, arranged geographically. Each section of the book contains a pocket history of the barrio that it is concerned with and details the type of art that is most prevalent on its respective streets. The book also contains a history of street art in Buenos Aires that gives some context for the sheer amount of graffiti that can be found in that city, and includes bonus downloads of art textures for use in your own projects. All of this is very interesting and enlightening (and English-Spanish bilingual!) but the real stars of the book are of course the photographs of the almost universally wonderful pieces that can be found on a bewildering variety of the city’s surfaces, ranging from stencils and tags to enormous and intricate portraits that cover the walls of disused factories and warehouses.

Which brings me back to my procrastination problems. Fact is, having Textura Dos sitting on my coffee table for a month has spawned a pretty fascinating series of conversations about the pros and cons of graffiti, something that I never would have pegged to be such a devisive topic for what is a generally like-minded group of people. I found myself somewhere in between my friend Tubby - who believes that all flat surfaces could do with a dose of sprayed-on beuatification - and my girlfriend, who lumps the most poorly-executed Sharpie tag in with the most sublimely beautiful mural as unconscionable vandalism. To be fair to her, she is the only one of us who actually owns property, but I still have to wish that there was a bit more of the beauty in this book to be found in my city.

Check out some of Buenos Aires' street art here.