Adscape: Wildroot Cream Oil

Here are several facts about Wildroot Cream Oil:

1) Roughly zero people use Wildroot Cream Oil today.

2) If one goes by the ads alone, approximately one hundred percent of people used to use Wildroot Cream Oil.

3) This is possibly because Wildroot Cream Oil had one of the greatest jingles of all time. If I had the opportunity and/or the hair, I would be sporting a cream-oiled coiffure this very moment. I sometimes find myself singing it while going about my day, and I cannot help that I am doing so.

4) Not content to rest on their musical laurels, the folks down at Wildroot had their fingers in a multitude of advertising pies, and evidently comic books were a fertile source of cream oil customers, because they sport such ads up until at least the mid-Sixties.

4a)The most basic of these ads took the form of one- or three-panel gag strips, wherein users of Wildroot Cream Oil might get the girl:

Or non-users might be set up as an unflattering mirror to the un-cream oiled reader. How will you every get the girl if you look like this, after all?

Or - and perhaps more disturbingly than intended - Wildroot Cream Oil could be portrayed as more important than the girl, as a necessity of life to be considered before all other things.

4b) About the time that Wildroot was sponsoring the Sam Spade radio program, the company's print advertising started featuring the detective as well. The number of crimes solved due to the absence, application or in one case aerial bombardment of hair tonic reached levels unheard-of before or since.

Notably, however, since this was the radio Sam Spade and not the novel or movie version, there was never an instance of Sam ruthlessly manipulating a collection of colourful underworld characters into betraying and murdering one another over a bottle of Wildroot. Which is a shame, because advertising needs more melancholy tales of moral ambiguity and bittersweet revenge.

4c) And then, presumably, Wildroot's Sam Spade contract ran out, because there was a new perfectly groomed detective in town: Charlie Wild.

Charlie Wild's adventures tended to be a bit more abbreviated than Sam Spade's, but they conveyed the same basic message: if your hair is messy then you have two basic career paths, criminal...

... or loser. Conversely, of course, an application of a certain popular name-brand hair tonic both signified virtue and raised esteem.

 

Even Charlie Wild, however, was not immune to the eerily addictive effects of Wildroot.

4d) And finally, there's Fearless Fosdick.

Fosdick, of course, was Al Capp's parody of Dick Tracy that existed as a comic-within-a-comic in the strip Lil' Abner - which is possibly the most convoluted explanation of a licensed property that I have ever had to give - and as such was probably the source of some of the most absurdly entertaining of the Wildroot ads.

 

His most endearing feature as a corporate shill, though, is that he's just as dang fond of the jingle as I am.

(Get Wildroot Cream Oil, Charlie...)

The Unfunnies: Shorty vs. Facial Hair

Did I ever mention that Shorty was in the Navy during WWII? Yes, he went from office boy to Ordinary Seaman and then to high school student in the 50s, so evidently he was able to lie not only about his height but also the fact that he was roughly 12, thus his problems in keeping up with the Navy Hipsters that seemingly infest his ship:

 

NOTE: I sincerely apologize if the last joke seemed out of date; the hipsters here still love their beards. I hope yours are the same.

- From Superman No. 32

John Buys Comics: The New Look John Buys Comics

 In the wake of the near-death experience of not having a damn computer for two weeks I am retiring John Buys Comics, I think. It was conceived of when there were several people doing reviews on this site every week and the format that I set up for myself, loose as it was, was a bit too chore-like. And let me remind you: I grew up on a farm, where the word “chore” was taken literally, as in “pile up a cord of wood after school” or “shovel several times your weight in horse manure every day” and a young man can develop creative procrastination to a fine art.

So instead of writing a pocket review for every damn thing I read and saying the same damn thing over and over again, I’m going to pick out a few extraordinary or noteworthy or terrible books per week and give them the business. And maybe I’ll make up some semi-arbitrary categories to fill out, because I like doing that. Huzzah!

I might still call it John Buys Comics, but we'll all know it won't be the same.

Incredible Change-Bots Two (Top Shelf)

Why's It Here: Because it's the sequel to one of my favourite things. Also, the original comic is one of the most accessible books that I own - more people have read it just because it was lying around on my coffee table than have tried any of the many books that I occasionally feel the need to wax rhapsodic about in mixed company. There's just something about those slightly goofy-looking giant robots that immediately draws in basically anyone who has watched cartoons over the last twenty or so years.

The Non-Spoiler Summary: The Incredible Change-Bots return to Earth! Shootertron isn't dead! There are further political allusions!

The Very Best Thing About It: More face-time for Microwave, Popper and Soupy, my very favourite robots ever.

The Very Worst Thing About It: I can never shelve these books with the rest of my comics because they're so small - the other books end up bending over them and getting all weird looking. So they just kind of float around in a pile with all of the other odd-sized books until I maybe some day install a tiny shelf for them to have to themselves. 

Who Made It? Jeffery Brown, the scamp.

Closing Comments: Oh man I just found this trailer for the first book: check it out.

Hellboy: Buster Oakley Gets His Wish (Dark Horse)

 

Why It's Here: Because I love Hellboy with all my little blackened heart, that's why. And furthermore, I love Hellboy one-and-done stories even more than that. Even more than the main storyline, the one-off stories convey the sense that Hellboy live in a complex and interesting world that we are only seeing a piece of. All of the monsters and zombies and - in this case - aliens have crazy back stories and motivations and so forth and we only get to see a little bit of the picture before Hellboy punches them to death. It appeals to the part of me that used to scour the library and used bookstores and so forth back in pre-internet days, piecing together bits of information on one topic or another. With more punching.

Non-Spoiler Summary: It's a Hellboy yarn featuring aliens.

The Very Best Thing About It: The flying pig. Unquestionably. 

The Very Worst Thing About It: That Mike Mignola didn't draw it? But that's just whining, because the fact is that every non-Mignola artist that has been working on these books for the last few hears has been doing a phenomenal job. And hell: there is absolutely no way that we would be seeing one to three books per month from the various Hellboy series if one guy were still doing everything, so I'll just shut my big mouth, I guess.

Who Made It? Mike Mignola did the writing and... Heck, it looks like Kevin Nowlan did everything else, including letters and presumably colouring, because there's no credit for that here. Now I'm even more embarrassed about wishing for Mignola art.

Closing Comments: Looks like Dave Stewart  did some colouring as well. Thanks, Dark Horse web site!

And that's that for this week because I also bought that enormous Usagi Yojimbo box set that came out last year with all of the Fantagraphics stuff in it and I want to get back to reading it in enormous, three-hour instalments.