Wednesday Interview: Jeff Lemire
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Ontario-based cartoonist Jeff Lemire is the award-winning creator of the Essex County Trilogy (Tales From the Farm, Ghost Stories and The Country Nurse) and Lost Dogs. Essex County, Lemire's beautiful story about hockey, family, and rural Ontario life, is being collected into a hardcover edition later this year.
Despite his affinity for the Toronto Maple Leafs, Jeff Lemire is one of my favourite comic creators right now. I love his distinctive thick-lined artwork and his ability to create powerful emotions using very quiet storytelling (I have cried real tears while reading his books). Lemire was recently drafted to the big leagues, with an all-new hardcover book, The Nobody, being released by Vertigo today. He will also be writing and drawing a new ongoing series for Vertigo starting in September called Sweet Tooth. I did a little interview with Jeff to find out more.
Can you describe what The Nobody is about in your own words?
The Nobody takes the protagonist from HG Wells' The Invisible Man novel and reimagines him in a modern small fishing village. It's about paranoia and rural clausterphobia and how outsiders are drawn together.
The Essex County trilogy was, I think, an amazing accomplishment. The storytelling was beautiful, and I actually had tears in my eyes when I finished reading the second book. Is The Nobody going to be a major departure from the Essex County series, or do you think there will be elements that readers will recognize from your previous work?
After finishing with Essex County I needed to try something new. Those books were obviously deeply personal, and drew from a lot of my own life. I wanted to do something a bit darker, a bit pulpier and a bit more genre-based. So, in a way The Nobody is almost the flipside of what I was exploring in Essex County. While those books looked at what pulls rural communities together, while The Nobody looks at what can tear them apart. But, having said that it still has the same earmarks and storytelling style of EC.
A lot of your work, including your upcoming Vertigo projects, is set in small towns or rural areas. What is it about these settings that appeals to you?
I just think that 99% of movies and comics are set in New York or a New York-like big city. There are so many others stories to be told, so why not explore smaller town and bring other perspectives to the table. Also, on a visual level open fields are easier to draw than buildings. (kidding)
One of my favourite things about Essex County is how Canadian it is. I know that your upcoming series, Sweet Tooth, is set in America, but it has a Canadian look to it, if that makes sense. How important do you think it is for Canadian creators to tell Canadian stories?
Very important. This is a rich and beautiful country full of diversity and character. I love mining it for my stories. Plus, I write and draw what I see and know. And both Vertigo books are not officially set in Canada, but unofficially they are to me. Sweet Tooth starts off in Nebraska. I chose that because it looks the most like southwestern Ontario.
I am really looking forward to reading your ongoing series, Sweet Tooth. Is this the first time you have told a story in serialized issues?
Yes it is, it was a challenge to try and maintain my style and voice and still cram it into 22 page chunks, but I think I've made the transition successfully.
I am guessing, given where you are from, that you are a Maple Leafs fan. Does that make it hard to get up in the morning?
It makes it very, very hard. But I have hope, because without hope you're just a Senators fan.










































Whew. Good, good. There was no horrific second-issue drop in quality, just the Morrison/Quitely comic fun that most of us love. All of the players are on-stage and acting true-to-character: Dick Grayson is agonizing about maybe not being able to step up as the Bat, Damian is being insufferable and violent, Alfred is making with the heart-to-heart talks and the villains are being extra Morrison-creepy. The GCPD is proving themselves a bit less brain-dead than the rest of Gotham by noticing that Batman and Robin have both lost some size (and more than a few years). My only real beef is that it's occasionally tough to figure out what's happening in some of the more action-packed panels, though the fact that the big fight is between Robin and a set of cojoined triplets probably contributes to this. Eh, no matter - even if I have to squint at a panel now and again this is such a satisfying comic.
I have no idea if this is an ongoing thing or not - I've certainly never heard of it before but there seems to be some sort of basic scenario - a deliveryman named Roger Rodgers gives an egg to two kids and a creature and then something hatches out of it - that a whole slew of comic-making folks play with and subvert. Jhonen Vasquez is present, as well as James Turner.
Oh, bleah. I'm going to have to disagree with Grant Morrison on this one. This is not a good comic. Hey, but at least Vertigo's new first issue pricing means that I only paid a dollar to find that out, right?
This book works out very well for me, as I somehow missed this series until it hit issue five and hey! this collects issues one through four, in glorious colour! I'm about halfway through and I've already busted a gut at least twice, with one gleeful cry of "with a bitter whore!", if that tells you anything. As my compatriots pointed out at the comic shoppe yesterday, this is probably the best book in a while to give as a gift, for basically anyone with a decent sense of humour.




