Open Up For the Dog Extermination Squad!

Well, it's Sunday morning. Once more I have proved myself very bad at preparing something in advance of a busy day. Ah well. We're dipping into the Sack of Silver Age Strangeness today and hauling out Superboy No. 126, because I know that you all want to learn about Krypto the Super-dog's family tree and because stuff this dumb practically writes about itself.

Under the flimsy pretense of trying to figure out why Krypto is frightened of a tiny bug, Superboy uses some of his amazing technology to look into his pet's earliest memories and ends up listening to his father Jor-El give a mini-lecture about the new puppy's family tree. A really detailed lecture, actually, given that up to the age of five or six Kal-El was basically about as smart as Bizarro on nitrous oxide.

Jor-El starts off by telling the tale of Krypto's father, who lived with a little girl in Zaro city and was named, well, Zypto.

 Now, obviously the people of Zaro City are insane. I have a theory that it served as some sort of massive asylum for the people of Krypton ("Granpapa just wouldn't stop watering the cat, kids, so we had to send him to Zaro City"). I mean, here's a city on a planet that was dedicated to science, right? They were ruled by a Science Council, for Rao's sake. And yet their first response to their dogs getting sick after bing struck by lightning isn't quarantine or a search for a cure, it's DOG EXTERMINATION SQUADS. Join the Dog Extermination Squad, for a satisfying, meaningful career.

Valla's father, who as far as I can tell is named Dik-Ki, demonstrates that maybe Jor-El wasn't such a revolutionary problem-solver as we had thought. Or perhaps Kryptonians had some sort of built-in impulse in times of stress to put something in a vehicle  and get it as far away as possible, fast! I mean, think about how many times Superman has flung something into space or tossed it in the ocean and then considered the problem solved. I'll bet that the Kryptonian wheel was invented by a man who lived at the top of a hill and had a stressful family life.

Of course, Kryptonians also seem to have uncannily good aim, as demonstrated by Zypto's surprise appearance at the Zak-Zil Aviary ("Zak-Zil Aviary: we cram birds into the smallest cages we can! Come see the parrots cry!") Professor -Zil seems to bear out my theory about the inhabitants of Zaro City: he's spent years and years and who knows how much money and how many birds making a serum  that should give him wings, but hasn't even thought to test it in any way other than by slugging it back himself.

Ugh. Ag. "Distillation from the glands of a thousand birds," skeezes me out. It's very similar to the origin of Man-Bat and half a dozen other Silver Age animal-based superfolks and it conjures terrible images into my head, either of a thousand birds (or bats, or ocelots) having lots of problems in life because someone has removed their adenoids or similar. Of course, the alternative is to picture Zak-Zil maniacally feeding a thousand birds into some sort of giant juicing machine, so having a them sadly lining up across my mind's eye, waiting for their thyroid medication and gently coughing, is maybe preferable.

So Zypto was now a winged dog. He went back home and it turns out that the people making up the Dog Extermination Squad were dumb enough to believe that he was some type of dog-like bird. Which makes sense, really. I mean, think of your relatives: which one is most likely to end up in a Dog Extermination Squad?

You picked the dumbest one, didn't you? Just goes to show.

So Zypto has wings for a while and then he loses them when he fans some radioactive gas away from his owners.Everything's neat and tidy.

Now Zypto's father, Nypto, he was Dik-Ki's dog when he was a boy:

Dik-Ki had trained Nypto as a meteorite-hunting dog, which must be pretty tricky outside of an asteroid belt. Also, I have to assume that he dyed that poor beast. That's the sort of thing that kids get up to, right? you've got a meteor retriever, so he'd better look the part, all blue with crazy spots?

Sent after  a fireball in the sky one night he finds not a chunk of space-rock but a pair of green and hunched aliens who have a truly diabolical scheme:

They're going to steal a couple of fish! Truely, these intergalactic tyrants put Mongul and Darkseid to shame with their awful schemes. Give an alien a giant fish, as they say, and he'll... eat that fish and be happy. Damn his blue and terrible bones!

I don't know if I can take any alien seriously when he's holding a fish bowl liike that. Do Skrulls keep pet fish? Is that why I could never quite take them seriously, or is it the chin corrugations? Actually, the most menacing alien that I've encountered recently in a comic book is Starro the Conquorer, which I call ironic. In any case, they want to eat dogs, so I guess they must be evil, despite their piscophilic tendencies. 

Really, though, from what I hear, dog is a horrible thing to eat. Maybe these guys could go legit with their meat-wrangling business, taking things like skunk and hagfish and such off the hands of butchers across the galaxy. Or processed ham, that's pretty unbearable.

The dog-chase rages on, with Nypto desperately fleeing for his very steaks, until he gets a great idea:

Pork! No alien can resist pork!

Also, every planet in the universe has the same basic life-forms? Are there pigs on Mars, except that they're red and can levitate? Fire-breathing pigs on the moons of Alpha Centauri IV? A race of amorphous pigoids living under the frozen ammonia sheets of Strompar Maximus? Do I like a universe with infinite variations on the porcine form more or less than one without? A man could go mad envisioning the many variations on the gentle pork chop alone.

Philosophical musings on the nature of intergalactic ham aside, the story ended in a fairly standard manner, as Nypto lured the aliens close enough to a magnetic mountain to wreck their ship and send them fleeing in their two-man-no-dogs escape craft. Their evil scheme foiled, the aliens returned to their world to watch their people starve to death.

Finally, we have Vypto, Krypto's great-grandfather, and his super-boring story. See, Vypto was a normal dog, except for the fact that he could apparantly dive one mile underwater. Now, it's possible that the Kryptonian mile was actually about six metres or something but any way you slice it I'd call that extraordinary. Vypto spots some treasure on the sea floor and then gets mixed up with some crooks that are searching for it and fools their telepathic hounds by scaring them with a picture of a scary bug that his owner drew.

The important part of this whole stoy? Jor-El took the time to track down the picture of tthe scary bug and show it to Kal-El and Krypto, and that's the origin of why Superman's dog is scared of a bug. Damn you, Silver Age. And damn you for your dog-naming conventions, too. I love you, but it's going to take me a little time to get over this.

One final note: this wan't a last-minute, the-story-that-the-regular-guy-handed-in-has-Superboy-eating-kittens-oh-god-get-the-mail-boy-to-write-something kind of thing.

Yep, they planned this debacle. Uh, enjoy the hobby shop comic that I forgot to edit out.

Happy Sunday, folks.

This Week's Haul: Huh? Wha? Comicssszzzzzzz...

Alright, I still haven't had a chance to catch up on my sleep from HeroesCon, so I'm going to make this brief. In exchange, I will write the hell out of this week's Archie Sunday post (which I swear will actually happen this week).

Daredevil #119

Listen Daredevil. Here's what you need to do: You have to start with the man in the mirror, and ask him to change his ways. Trust me, man, no message will be any clearer.

Matt Murdock's life continues to suck in an epic way. His wife is crazy, he's working with Kingpin, he has Lady Bullseye on his ass, he's cheated on his wife with Dakota, and now he's been fired. He's so depressed he isn't even shaving anymore. His only friend in the world is a big fat crime boss who talks to ghosts and hates his guts.

And yet this is still one of the best comics on the stands.

Wolverine: Weapon X #3

Guns that shoot cancer!

Zorro #14

This issue wraps up what has basically been the romance portion of the Zorro story. Based on some sneak peeks I saw of the next story arc (with art by Francesco Francavilla), the next part of the story is going to be darker and maybe have more action. But I have enjoyed every issue of Zorro so far. The first trade finally came out last week, and I encourage people to check it out.

Superman #689

So, wait, Mon-El isn't gay now? He's flying around the world meeting heroes and villains and smooching ladies? Man, that handsome guy at the café back in Metropolis is gonna be disappointed.

Green Lantern #42

I love that the Orange Lantern guy is basically just a horrible nerdy collector.

Patsy Walker Hellcat TP

I'm pretty excited that Marvel decided to collect this mini-series into a trade. Kathryn Immonen, who will soon be writing Runaways (yay!) really did a great job writing an extremely underused Marvel character. And David Lafuente provided some really nice art.

[EDIT: Kathryn Immonen's first issue of Runaways actually came out this week. I just picked it up. This is what happens when you send your husband to pick up your comics for you...you miss stuff).

The Something Something John Buys Comics

I've shuffled the comics and fed the cat and now it's time to revieeeeeeeeeeeeeeeeeeeeeeeewwww!

Detective Comics No. 854

WHOOOEEE! Good goddam! This, my friends, is a pretty, pretty comic.

JH Williams is the arteest on this one and has just destroyed it. The art style shifts to reflect mood and tone! The panel layout is astonishing (and enough too make my poor rectangular-marquee-using panel sampler's heart cringe with sympathy for the mento-bloggers of the future)! Batwoman's outfit actually looks like black leather, rather than a thin sheen of body paint! Actually, all of the clothing looks pretty darned good.

On top of this, Dave Stewart, the World's Greatest Colorist, is on the job. If you've been reading DC comics at all this month then you've probably seen the preview for this book. Well, it continues in that incredibly vibrant vein. Woo Dave!

Meanwhile, the story. Basically, it boils down to the Church of Crime setting up shop in Gotham again and Batwoman wanting this not to happen. You know, because they stabbed her in the heart that one time. The Crime religion is something that could have some legs, I reckon - this might end up being a pretty damn good run. But even if it isn't, even if this story ends up going nowhere... I can maybe forgive that if it keeps looking this good. Anyway, the dialogue is decent and they don't avoid the fact that Batwoman is a lesbian, so I shall wait and see with my trademark optimism.

ALSO: there's a Question backup to this tale, featuring Renee Montoya taking a missing persons case via her website (which is also the Web's shtick... that's two similarly themed comics on the shelves in August again, DC. This is a weird pattern).Looks like it's shaping up to be a decent detective tale with good art by Cully Hammer, but I'm going to have to pass on going into specifics while still under the lead story's influence. These two-featured books are making me happy so far - now to wait impatiently for the Doom Patrol/Metal Men book to come out.

Final Crisis Aftermath: Ink No. 2

You know, I'm still not too sure what to think about this comic. It's a decent book, sure, but it just doesn't have the high-concept trappings of Escape or the intriguing subject matter of Run or Dance. Super-villain turned super-hero attempts to remain heroic in the face of adversity, that's not a bad theme, just not a new theme. Still, the Tattooed Man was always an interesting if slightly goofy villain and it was nice to see his newest incarnation get some time in the sun in Final Crisis. Hopefully this series puts him in something like a good position at the end and doesn't just turn him back into a cheap and/or rage-filled villain again, like my John-sense is warning might happen.

Good thing there are lots of interesting uses of the tattoo superpower to keep me interested. Bat-winged skull ahoy!

The Actress and the Bishop No. 1

I bought this one one a whim, I must admit. How could I pass up that title, huh? How?

The Actress and the Bishop live in domestic bliss in a wee house in a British suburb or small town, stock characters from a dozen jokes brought to life and drawn real nice.

I mean, really, really nice. Brian Bolland did both the art and the writing on this, and he has produced some damn fine black and white pictures. The whole thing reminds me strongly of the Italian comics that I have read like Dylan Dog or... okay, mostly Dylan Dog. We need more translations of Italian comics. Back on track: as in these Italian comics of which I speak, Bolland has drawn this thing with a lot of clean, precise, beautiful art, lovingly detailed (check out the neato illustrations on the Bishop's robes) and inked. Be warned, prudish-at-heart: the "MATURE READERS" tag on the front is code for "there are some boobies".

As for plot, well, there isn't really one. As I said, the Actress and the Bishop are stock characters living in a house, so this is one of my favourite set-ups: a strange situation with no explanation and no apologies, just further strangeness. The A and the B take a trip, throw a party and have something living in their shed - no origin story necessary. AND: the whole thing's told in rhyme! Pretty decent rhyme, too, though I reckon that I say a few words with a different number of syllables than Brian Bolland does. Curse you, regional differences in the English language!

(UPDATE: I guess that this is collecting appearances of the Actress and the bishop from other places. I felt that I should mention that, in case rabid A&B fans got mad at me after buying it for more A&B action and found none)

Superman No. 689

Hot damn! now this is the sort of thing that I've been talking about! I don't know if there's some sort of editorial mandate to show off more of the super-human--infested world over at DC but they've been doing a decent job of it for the past month or so. And in this issue things get crazy, as Mon-El, newly interested in the joys of life and the pleasure to be found in experiencing new things, takes a trip around the world, encountering old favourites like the Rocket Reds, Freedom Beast and Rising Sun as well as a wide selection of (as far as I know) new international characters including a super-cool German paranormal detective type named Will von Hammer (!!!) and a disturbing new Blockbuster. Seriously, James Robinson could write a monthly series consisting entirely of one-page super-hero vignettes. Especially if he had the same art team. But Blockkbuster should not wear Daisy Dukes.

Good lord I hope that some of these characters/concepts get expanded upon in the future and not just trotted out as cannon fodder during the next crossover. DC! I will buy The Very German Mysteries of Will von Hammer! For real!

Gotham Sirens No. 1

Cue mixed feelings.

I have no idea whether Birds of Prey was cancelled in order to make room for this book. I hope not, because they could have played off of one another in interesting ways, as the good and the bad-ish ladies of the DCU went about their business. I'm also not sure whether this book is supposed to sell based on T&A potential, but that doesn't seem to be its mission statement, cover aside. Am I conveying my problem here? I want to be cynical about this comic, especially given its kind-of-lousy name, but none of my snark seems to be panning out. The basic idea behind the story - Catwoman, Harley Quinn and Poison Ivy teaming up in the face of the dangerous times going on in Gotham - is sound enough to pass, given the characters' history. Hell, they even bothered to set it up during Battle for the Cowl.

So I can't find anything ideologically wrong with Gotham City Sirens, so what? What's up with the contents? Well, they're not bad, not bad at all. Paul Dini and Guillem March team up to write and draw these characters with a good deal of individuality - Ivy is cold and slightly inhuman, Harley is goofy and slightly insane, etc. There are lots of good facial expressions (particularly on Harley and chump-super-villain-of-the-issue Boneblaster), plenty of nice kinetic fight scenes and yadda and yadda and yadda. The colour ain't up to Dave Stewart levels, but it looks real pretty.

You know what the trouble with this issue is? It's a set-up issue. It's concerned with getting the characters to the physical and interpersonal places that they need to be for the rest of the series to play out. So while the lameo title and cheesecake cover and the vein of cynicism that runs through my tiny heart say that there is way too much potential for terribleness here to give it a pass, the characterization and potential for nutty fun and the inventiveness that's been shown so far swing me back the other way. I'm afraid that I'm going to have to reserve judgement for now. Check with me after Issue 2.

The Last Days of Animal Man No. 2 (of 6) - You know what's really nice? The occasional tale set in a non-apocalyptic future. Here's Animal Man, some time in the future, and there hasn't been a giant war or a plague or a zombie uprising. Time has continued to pass and things have changed somewhat, as is the nature of comics (blue whale Green Lantern is possibly the best idea of the week. Okay, tied with Will von Hammer), but being set in the future has not been taken as license to destroy the world to a level just below that of the average issue of What If? or Elseworld featuring the Justice League. Good show, guys. May this book continue to be a good time for the next four issues.

Buck Rogers No. 1 - This looks like it could be a very good time. We shall see how the old "stranger in a strange land" scenario pans out over the next few issues as Buck figures out a) that he is in the future and b) that this is an opportunity to kick a lot of ass. Features a cybernetic bear and an air force man too dumb to wait until a plane lands to try to commandeer it.

Viking No. 2 - Ivan Brandon and Nic Klein have put together another incredible comic here. Amazing and atypical art and colouring, crazy-good and definitely not comics-norm story... This is fast becoming one of my go-to comics for giving people who claim not to be into comics. Man, and the final page on this one is incredible. I don't often lust after original art, but... damn.

Batman: The Brave and the Bold No. 6 - Batman plus Kid Eternity! Plus - thanks to the Kid's powers - Vigilante and Shining Knight and Viking Prince and GI Robot! Versus General Immortus! This series is doing a great job of capturing some of the down-home good times of the cartoon, including the great dumb jokes and the very loose adherence to DC continuity in favour of reinterpreting characters as necessary to tell a better story. Good show!

Rapture No. 2 - The post-apocalyptic fun continues! Our heroes, Evelyn and Gil, are struggling to survive in a world that has been devastated and subsequently abandoned by its super-heroes. Evelyn seems to be becoming some sort of devine avenger type, righting wrongs and fighting cannibals. Gil plays his guitar. Featuring! A very amusing old man named Old Man! This series looks like it's going to be a good time, as superheroics in the rubble so often is.

Rachelle's 2009 HeroesCon Report

HeroesCon 2009, combined with delayed flights, lost luggage, extreme heat, and copious amounts of food, has knocked me on my ass.

I had a great time in Charlotte this year, and was able to meet even more of my favourite comic book creators. And I got to chat with people I met last year! Once again the boys from The Dollar Bin were excellent hosts. It was great to see Adam, Kris, Brian, and Devin again and it was great to meet Ted for the first time.

Here's a breakdown:

Roger Langridge

I was very excited to meet this guy, so I talked to him at his table on the first day. I asked him for a sketch and he made it sound like his quick head sketches are just scribbles or something, and then he drew this amazing Fozzie Bear for me:

Awesome, right? You wouldn't even believe how fast he drew that.

He flew to the con from England, so he had me beat by a few miles. I picked up all of the minicomics that he had for sale. If I had more money, I would have bought everything on his table.

Ed Brubaker

If you wanted a Brubaker signature, you had better have had comfy shoes on. The lines for this guy were looooong. I played it fairly strategically, though, so I only waited about an hour. I had lugged my Daredevil omnibus down so there was no way I was leaving without getting it signed. Plus, Brubaker has been one of my favourite writers since Catwoman, so I wasn't leaving without meeting him, however briefly, either.

Later I got onto an elevator with him as Ice Cube was getting off. True story.

Jeff Smith

Nope. I did not meet Jeff Smith. In fact, if not for the afterparty, I would not have laid eyes on Jeff Smith. He only was at his table for about an hour or two each day, and the line-up went back into the horizon every time. As much as I wanted to tell him I love Rasl, I had other people I wanted to meet.

Jamal Igle

Ok, this guy is super nice. As anyone who reads this blog knows, I love the current run on Supergirl, including Igle's awesome art. I told him that I like how fashionable the women of Metropolis are now, and he said that his wife works in fashion, so he does make a real effort to put Kara in some real clothes. He also told me that he's been offered Supergirl for as long as he wants to work on the title, which is great news. AND he did me this Supergirl sketch!

George Perez

Perez was another one of those creators who always had a line-up (though not a really long one like Brubaker), so I had a very brief interaction. I had a couple of very heavy books for him to sign (my Absolute Crisis on Infinite Earths and Dave's Absolute JLA/Avengers), so I was relieved to be able to take those back to the hotel room and forget about them for the rest of the weekend. Perez seemed really, really nice and was signing at the Heroes Initiative Fund table pretty much all weekend.

David Petersen

Another super nice guy. He often had a line-up, which was nice to see because Mouse Guard is completely awesome. He was doing sketches and drew me this little guy:

 

Awwwww.

He also had some beautiful prints for sale, so I picked up a Wind in the Willows one for my husband. Matt is a giant Willows NERD, if such a thing exists.

David Petersen's wife or girlfriend or friend (I don't like to make assumptions) was also very nice.

Guy Davis

Would you believe that Guy Davis was doing free sketches all weekend? And he barely ever had a line-up? What in the world is going on?!

He did a Hellboy head sketch for Guy Davis superfan, Johnathan. 

I didn't ask him for a sketch for myself because I didn't want to be greedy. Maybe next year. His wife or girlfriend or friend was also very nice, and is an Anne of Green Gables fan. We chatted about that, since I live in close proximety to the Land of Anne.

Francesco Francavilla

I met Fracesco and his wife last year, and they are the nicest people. I am very excited that he is going to be doing the art again for Zorro, starting with issue #15. He is definitely one of my favourite artists. I could watch him draw all day. People who buy commissioned sketches from him definitely get their money's worth. All of the commissions I have seen by him are gorgeous. He had some very fancy ashcans of his original character comic, Black Beetle, which looks fantastic. Hopefully it will be published soon.

Fred Chao

As I mentioned a couple of weeks ago, I love Johnny Hiro so I was very excited to meet its creator, Fred Chao. Not only was he a super nice guy, he said he has always wanted to go to Nova Scotia! I think he should fulfill that dream and do a signing here.

He did this amazing sketch for me:

 

Seriously. How awesome is that? That guy is generous with his sketching!

Nick Cardy

I watched Nick Cardy, the living legend, draw the Aquaman villain Scavenger for awhile before getting my Nick Cardy comic strip book signed. That guy can still draw a great-looking C-list villain! Too bad this week's issue of The Spirit, which has a Cardy cover, wasn't out last week.

Eric Powell

Holy smokes! Eric Powell was there too! I got a couple of hardcovers signed for Johnathan and Dave. I just brought a little ol' issue of Action Comics from my own collection. I really love The Goon, though, and Eric Powell's art is just so beautiful. It was exciting to meet him. 

Jason Horn

I met Jason Horn briefly last year and bought a bunch of his mini comics. They turned out to be some of my favourite things that I bought last year. He does a comic called Gruff that is an adorable sequel to The Three Billy Goats Gruff, and a very funny web comic called Ninjasaur that is exactly as awesome as it sounds.

He drew me an Aquaman!

 

Dean Trippe

Dean Trippe conveniently sits next to Jason Horn at conventions, so I can visit two cool people at once. I got a couple of beautiful sketches from him last year, so I gave him a rest this year. He is moving to California soon to work on a secret comic project that may or may not involve members of the Superman family. This is exciting news because he is very talented. Dean was also wearing a homemade Robin sweater at the con.

Gregg Schigiel

Gregg is a crazy good artist who is best known for the Spongebob Squarepants comics. At the con Marvel announced that Gregg will be writing and upcoming X-Babies mini-series! Because he's such an awesome artist, it took me three days to decide on what I wanted him to draw for me. I finally decided on Namor. I think I chose wisely.

Man, you can see how much Namor hates me in that picture. He's like "close the book, land-dweller."

Brandon Padgett

Brandon is a Charlotte-based artist, a friend of the Dollar Bin, and one third of Big Dog's Studio. I have followed him on Twitter for awhile, but I hadn't met him before. He drew me this nifty Batman:

Rob Ullman

I like Rob Ullman because he likes hockey. A lot. And that is not an easy thing to come by in the South. I did see a surprising number of Pittsburgh Penguins t-shirts, hats and jerseys being worn at the convention, though.

Rob is also a very talented artists and draws very pretty ladies. He drew me Catwoman wearing a Habs jersey! It's everything I like on one piece of paper!

Brad McGinty

Brad is an Atlanta-based cartoonist and animator, and he was screening the new DVD of his hilarious cartoon, Man-Dar, on his hotel room window on Friday night. It looked awesome from the street outside. I wish I had a photo. I wasn't at the screening because I was eating a shit ton of BBQ at the time, but the episodes are up on his website. I enjoyed hanging out with both Brad and his gal pal.

And he drew me this insane Batman sketch!

Duane Ballenger

Duane does not seem to have an official website, but he is part of team Wide Awake Press (along with J. Chris Campbell, Josh Latta, Brad McGinty, and Rob Ullman). I got to tag along with that whole gang when they went on their annual pilgrimmage to Phat Burrito, which was delicious. Duane had a brand new baby visiting him at the con on Sunday, but he took time to draw this amazing Bouncing Boy for me:

 

 

That is just the best thing ever.

Josh Latta

Josh is the creator of Rashy Rabbit, and is yet another really nice guy who I met this year. I really love getting superhero sketches from indie cartoonists to see their versions of mainstream characters. Josh drew a really awesome Thing for me:

 

And I also talked to a whole bunch of guys named Chris...

J. Chris Campbell

J. Chris is the publisher at Wide Awake Press, so I guess he's like the lord and master of all the other guys there. He had a ton of awesome stuff for sale, and I bought as much as I could. He did me an adorable Iron Man sketch:

He also bought me a six-pack of beer, which was very nice of him. I still can't get over how cheap beer is down there. It's practically free!

Chris Giarusso

I was really happy that Chris Giarusso, the creator of Mini-Marvels and G-Man, was at HeroesCon again this year. And he was doing free head sketches! I got a Daredevil!

Man, I am a sucker for a smiling Daredevil.

Chris Schweizer

Chris Schweizer, creator of Crogan's Vengeance, is a super nice guy. He also sells these awesome posters he made of Smokers of the Marvel Universe. I bought two of the original art squares (Bullseye and Kingpin) and I am pretty excited about it. That's a nice set!

Chris Haley

If you are not already reading the incredibly funny web comic Let's Be Friends Again, you should be. Artist Chris Haley is a cool guy who has an affinity for 90's-era Halifax rock bands. That's why I like him.

And he drew me an Iron Fist:

 

Chris Sims

Invincible Super Blogger, Action Age Comics founder and Stolen Minks fan Chris Sims lives in South Carolina, so he's a HeroesCon regular. I met him last year at the con and we bonded over a mutual love of lunch. I got to see fellow blogger and Chris Sims BFF Dr K again too. We all went for some BBQ at the famous BBQ King restaurant (as seen on Diners, Drive-Ins and Dives!) Needless to say, I went way off the WeightWatchers diet this weekend.

I also got to chat with and sometimes get autographs from lots more of my favourite comic creators, like Andy Runton, Tommy Lee Edwards, Phil Noto, Adam Hughes, Mark Waid, Steve Epting, John Paul Leon, Matt Fraction, Georges Jeanty, Ben Towle, and Cliff Chiang.

Thanks everyone for showing me such a great time! I hope to see you all again next year! I hope I didn't forget to mention anyone!

Tempus Fugit

As a result of my job and a happenstance of personal interests, I read a lot of comics. Like, a ridiculous, probably unhealthy amount of comics. This can eventually begin to eat into my time for doing other things, like eating, sleeping, and spending time with other human beings. However, there are ways to cut corners; for instance, if I’m reading a comic written before, say, 1986, or one written by Kurt Busiek, Chris Claremont, or Roy Thomas, I can simply skip over the tons of extraneous narrative captions and/or constant recapping of characters’ powers and histories. Or if I’m reading a Jeph Loeb comic, I can skip the dialogue altogether and enjoy the artwork. Unless, of course, it’s Ultimatum or Ultimates 3, and I can save even further time by skipping the entire comic.

I’ve read enough bad comics over the years to cultivate some easy shortcuts to time-saving. The one I’m most proud of is my ability to zero in on a few specific cues that will immediately tell me that the comic I have in my hands is not going to be worth my time, and I can therefore toss it aside and get on with my life. I will hereby pass a few of these cues on to you, dear reader, in the interest of hopefully enabling you to make time for reading better comics. So, without further ado, here are some examples of what I like to call “red flags”—easy-to-spot indicators that the comic I’m about to read will likely not be worth the effort.

“First Exciting Issue! Previously…”
One of the most blatant signs that a creative team is about to waste my time occurs when the first issue of a brand new comic series that hasn’t existed in any previous incarnation opens with a page showing the faces of all the characters and little blurbs that explain their personalities and motivations. That is just plain lazy, people! Tell me all this stuff in the course of your story! Action defines character, not a handy chart on the inside front cover. If you’re not even going to try, then I’m not even going to bother reading it. Important note: I will give a pass to the first volume of Naoki Urasawa’s 20th Century Boys, which does exactly this. It’s so unnecessary that I would guess American publisher Viz put it in there to help readers keep track of the large cast of characters. I would urge those same readers to skip right over it and discover the cast for themselves.

“Aaaaand CUT!”
One of my most absolutely hated comic clichés—storytelling clichés, really, since I see it in movies and TV shows all the time—is when a comic opens with a crazy action/chase sequence that spans several pages of explosions and fights and whatnot, and culminates in the protagonist facing a certain-death scenario…and then someone off-panel yells “CUT!”, and it’s revealed that all these people are shooting a movie. Not only is this one of the most egregiously overused clichés in any medium, it runs counter to what anyone with even the most rudimentary knowledge of filmmaking should know about how scenes are shot and edited. Who shoots giant action scenes with explosions and squibs and all manner of special effects in one continuous, unbroken shot anyway? Okay, Alfonso Cuaron in Children of Men, but that’s pretty much it. Man, Children of Men is great. What was I talking about again?

“Let’s Hit ‘Em Hard and Fast, Team!”
If you read any comic in the early Nineties, you probably saw this particular battle cry no less than half a dozen times. Hard and fast? As opposed to what, soft and slow? Honestly, though, pretty much any comic that features this line of dialogue is most likely a book you can judge by its cover, being that said cover was probably drawn by Rob Liefeld, Chap Yaep, Dan Fraga, or Marat Mychaels. Also, I would wager that if the comic featuring this line is a first issue, that issue’s title is most likely “Baptism of Fire!”.

So that’s all I can think of right now. If anyone reading this has any red flags of their own, please feel free to share them with the rest of the class. 
 

Justify Your Continued Existence, or, Captain America Ain't Exactly a Trendsetter

It's soon to be the first day of the rest of Captain America's some more life, apparently, so we're having a special edition of Justify Your Existence in which we take a look at some of the many, many ways that comic book folks have cheated death over the years. This is a very small sample, of course - I managed to think up something like fifty possibilities ranging from Superman to Little Mermaid over the course of half an hour. Really, the question isn't whether a comic book character is going to come back but when.

Hellhound

If you're not familiar with Hellhound, don't worry. He was a chump with a pretty decent costume who had an ongoing rivalry with Catwoman - your standard martial artist type, plus some big dogs. He eventually showed up at the beginning of the very long "War Games" arc that ran through the Bat-family comics a few years ago, acting as a bodyguard to one of Gotham's innumerable crime bosses:

He's a pretty tough-looking bodyguard, that's for sure. To bad tough didn't turn out to count for much amongst the shipping crates of Gotham Docks or wherever this meeting took place, as the eternal truth of the Gotham underworld held true: get more than two guys with any degree of power together and there will be a shoot-out, or maybe a freeze-out or a mud-out or some sort of violent guessing game. Poor Hellhound just wasn't up to the challenge and ended up sprawled behind a crate full of bootleg Ken dolls. Hell, the first time I read this issue I wasn't paying too much attention and thought that he was Catman - an ignoble end indeed for a dog-villain.

Just a couple of years later, though, in the highly-entertaining Villains United:

Well well, what have we here? Were reports of Hellhound's death greatly exagarrated? Nope, turns out that Calculator sold the franchise to some other chump. Well, I'm sure that he'll have a long and storied career, right? Maybe have some fights with Mr Bones or Bouncing Boy? Let's check out what I'm half certain is his very next appearance, in Salvation Run:

Eviscerated...

Oh no!

Yep, he was used as a contingency plan and fed to lizard-lions by the Body Doubles, a team of fashionista assassins who haven't changed their clothes in at least five years. And then this guy's cousin and some dog-looking guy showed up in Blue Beetle:

Don't worry, I hadn't heard of a title fight either. Evidently, it's what happens when a super-villain kicks off and two or more guys want to fill his shoes for some reason. This is now imprinted on my brain - every time some R-grade bad guy gets shot in the head I'm going to picture seven guys meeting up outside of a bar in Toledo, all wearing their best Crazy Quilt or Planet Master outfits. Evidently, an established name is way more valuable than people not immediately picturing you getting eaten by evolutionarily-unlikely alien beasts when they meet you.

HELLHOUND:

Means of death: back alley brawl; distraction.

Means of revival: Replaced by a series of chumps.

Verdict: NOT APPROVED

Black Adam

Black Adam, as integral to the DCU as he has been for the last decade or so, debuted in 1945 as a one-shot villain, an old student of the wizard Shazam who had turned to the bad and been banished to deepest space for his temerity. He showed up in Marvel Family No. 1 and took on the whole darned bunch of 'em, until he was finally outsmarted by the cunning of Uncle Dudley, who fooled him into saying Shazam and turning back into his 5000 year-old alter-ego, Teth-Adam:

And we all know what happens when someone who is very old stops being under a magic spell or unfreezes or is cured of vampirism or the like: instant ageing! Poor old Teth-Adam, who had spent the last 5000 years flying through space and was understandably a bit pissed off, wrinkled up and turned to dust, which must have been very pleasant for the preadolescent members of the Marvel Family (i.e., all of them) to watch.

So Black Adam was no more. Too bad, as he was a super-distinctive looking character. Look at that widow's peak, surely one of the wonders of the age! And between his eyebrows, ears, nose and chin, his features were so exaggeratedly evil that I'd be surprised if he could have gone into any field other than that of the super-villain. Seriously, I might call the police if I saw him buying a lotto ticket.

Flash forward to 1974 or 75, to the DC-published Shazam! No. 28. Bily Batson and Uncle Dudley have been on an extended road trip across the USA, chasing Dr Sivana as he wreaks havoc in city after city. Finally, he fires up his trusty reincarnation machine...

 

 

 

And brings back Teth-Adam! This time around the same old trick will not work again on ol' Tethy, no sir. Thanks to Sivana's machine, Black Adam will have to wait a long, long time before he has to worry about crumbling to dust unexpectedly if he accidently says hello to his neighbour Shazam Johnson. Plus, the machine somehow manages to give him a swanky new hat, which might be a built-in feature. You know, in case someone wasn't satisfied with merely being raised from the dead and needed some material inducement to stick around and hang out with a dwarfen science-tyrant.

The best part is that he not only smashes Sivana's machine so that is can never be used to return him to dust but he also steals the wee doctor's plan. I have never seen the little guy so upset. Good job, Black Adam!

BLACK ADAM

Mode of death: the old "make 'em so old they turn to dust" manouvre.

Means of revival: tiny megalomaniac and his Reincarnation Machine (bonus points for now being immune to original mode of death; more points for making Sivana sad).

Verdict: JOHN APPROVED

Alfred

It's true! Way back in Detective Comics No. 328 they killed off Alfred "bestest butler" Pennyworth. See, Batman and Robin were fighting some goons in a construction site (as they are wont to do) and Alfred drove up on a motorcycle (as he was very occasionally wont to do), and:

Alfred was duely buried, the Alfred Foundation was started in his honour and Aunt Harriet moved in with the boys before the Butlercycle had even cooled off. And this is how things stayed for the next thirty issues, until (reportedly) the appearance of Alfred on the Batman TV show necessitated that he be brought back in the comics as well. How'd they fix a man who had been smushed under a boulder, you ask? Well:

They called in Brandon Crawford! Brandon Crawford, a man who describes himself as "a radical individualist, always experimenting, always finding new laws of nature and science - laws which orthodox scientists do not yet admit". Yes, Brandon Crawford, the man who discovered that dogs have no sense of irony! The radical individualist who refused to wear a tie to the Tycho Brahe roast!

 

 

 

 

Frankly, if I was a barely-alive butler lying in a refrigerated tomb without having been embalmed and this guy found me? I'd be resigning my mostly-dead ass to being rubbed with essential oils and then shoved into an orgone accumulator for a couple of hours. What I'm saying is: what happens next does not surprise me.

 

 

 

Crawford throws Alfred (still reeking of rose-hips and bitter almonds) into a cellular regeneration machine and throws the switch. Evidently, this bathes the whole damn room in whatever energy the thing uses, because it's not only "Corpsey" Pennyworth that gets a jolt. Brandon Crawford lapses into unconsciousness, wishing all the while that he had discovered the "radiation shielding is good" law of science.

Alfred, meanwhile, is indeed revived - score one for radical individualism, I guess - but in horrifically lumpy form:

Following this, Alfred-as-the Outsider bedeviled the Dynamic Duo with Grasshopper Men and booby traps and all manner of tomfoolery (oh, and he turned Crawford into an Alfred doppleganger and put him back in the crypt, so as to fool the Bat). It isn't until issue numba 356 that Batman and Robin managed to track him down, and that only after Robin had been turned into a coffin. In the ensuing fight:

That darn regeneration machine! Alfred could have learned a thing or two from Black Adam, I swear. Smash the machine after you are fully regenerated, guys, because those things usually work in reverse.

 

  

 

 

Sure enough, a second dose of those crazy rays de-lumps Mr Pennyworth and everyone gets to go home and be sarcatic at each other about how Batman doesn't eat. Incidently, if you, like me, are sad whenever you get to the part of Dark Knight Returns where Alfred dies, just imagine that this all happens again afterward. It's very cathartic!

ALFRED

Mode of death: Smushed by a boulder whilst motorcycling for justice.

Means of revival: Turned into a lumpy telekinetic monster by a radical individualist/got popular on the teevee.

Verdict: JOHN APPROVED

Good afternoon, folks.