A Question of Imagination

Back in 1965, Archie Comics began publishing a comic book adaptation of The Shadow, and I have to say that it must have taken a heck of a lot of imagination to transform this:

To this:

... or at least to do so and imagine that it was a winning proposition. That's why I was kind of surprised to see some... familiar elements while reading the series. Did imagination desert them as soon as they'd hammered the Shadow into Batman Lite? How else to explain this:

Only a passing resemblance, you say? Surely two fellows would dress up in goggles and laced-up shirts, you assert? Well, how about this:

Eh? Eh? Surely someone at Archie must have known what they were doing when they created this guy.

EDIT: Phew, I got way over my head on the image formatting here. Just when I think that I am Wordpress' master, it shows me who's boss. Shield your eyes!

John Buys Comics and Writes About Them

American Vampire No. 2

I picked up the first issue of this after Dave’s review, and I’m surprised that I needed that much incentive. I mean, flapper vampires and cowboy vampires in the same book? There is only so much strength in my feeble human form, my friends.

Of course, it takes more than a simple genre mashup to keep my interest, but Snyder and Albuquerque have that covered, the latter with some appropriately terrific art and the former by spinning out some very cool ideas about vampirism.

Every week, it seems, I reveal yet another facet of the already priceless gem that is my nerdliness (he wrote on his comics blog). This week: I know an awful lot about vampires! And as anyone who knows an awful lot about vampires knows, every damn country and people in the world seem to have their own distinct iteration of the bloodsucking fiend, ranging from Dracula-style goth dudes to flying heads to crazy cow skin-looking things that live in Peruvian lakes. Any story that does a halfway decent job of explaining why the above is the case gets bonus points, even if they aren’t as well told as [American Vampire] actually is.

Snyder’s explanation - that a vampire made from someone in a new place, living in a new way sometimes just turns out differently than the vampire that made them - isn’t precisely unique, but I don’t know that I’ve ever seen the concept expressed so simply before, and that counts for a lot. There’s no grand mystical hogwash surrounding it, just “different land, different vampires” and that’s very refreshing.

Meanwhile, Stephen King’s backup story is very fun in a couple of different ways, but I find myself focusing on the fact that having the story of Skinner Sweet set in front of us from the beginning does a very interesting thing. We now know the depths of Sweet’s evil, so though he can play out the trope of the mysterious, roguish benefactor whose dark past is gradually revealed in his dealings with Pearl, we are already in the know. Very very satisfying reading, with people biting each other to boot.

The Brave and the Bold No. 33 - That’s two issues in a row of this that I’ve really enjoyed, after a bit of a spotty patch. Cliff Chiang drew some fantastic stuff here, and his facial expressions were in the best possible way reminiscent of Amanda Conner's. HOWEVER: J. Michael Straczynski basically finished his lovely little story with THE END with five underlines - I’d recommend stopping at the Flash ad for a slightly more satisfying reading experience, or the JLA ad if you didn’t catch the point of the story by the Flash ad.

R.E.B.E.L.S. No. 15 - I think I’ll wait a bit to weigh in on the new status quo in this book. I’m really only writing this because i want to point out that Despero’s people all have really well-groomed facial hair and it’s a look that I like in a moderately sinister alien race.

Green Lantern No. 53 - See, this is why I was so pissy about Blackest Night. I have no idea how Brightest Day is going to turn out, but a comic like this, where Johns can play and be all portentous and not have to place each distinct plot point in a new issue, this actually reads well. It might not be the Police Procedural in Space that I want, but I’ll take Rainbow Space Opera, I reckon. 

The Tick New Series No. 3 - There is nothing bad about this series. Nothing. Read it. Benito Cereno and Les McClaine have done a fantastic job with this and I will praise them much more thoroughly when No. 4 comes out and I presumably will not be so sleepy.

Good night everyone!

Friendly, Neighbourhood...Thing

I know ads for totally absurd merchandise are common place in any Marvel comic, but seriously:

 

What is this?

No, really? What is it?

These are my best guesses.

Salad Tongs.

Melon baller.

Ultra safe scissors?

Or some sort of medical tool? Foresceps? Or...uh...a speculum?

Ugh, chilling stuff.

 

Please help me out. The more I think about it, the creepier the possibilities.

Various Stuff n' Such

So here I was, all set to write a cranky post about how much I disliked a certain high-profile comic book movie that opened this weekend. But honestly, folks, life’s too short, and I’d rather spend the time gabbing about stuff I enjoy. So with that in mind, here are a few random tidbits of comic booky goodness from last week’s offerings:

 

Other Lives, by Peter Bagge: The Hate-meister returns to cranky form with this original Vertigo graphic novel about four interconnected losers—a writer who despises his racial identity and is haunted by a past act of plagiarism, his fiancée, whose vicarious internet life begins to blur into her real relationships, an online gambling addict desperate to cover up his crumbling domestic life, and a would-be government agent/national hero who lives in his mother’s garage. Fans of Bagge ‘s most famous creation, Buddy Bradley, can draw a straight line to Vlad (Vader) Ryderbeck, the self-loathing, slow-burning, expletive-spewing, booze-swigging antihero at the heart of Other Lives, who discovers that the self-created false identities people hide behind—both online and in real life--are not just a product of the internet era, but in his case at least, a generational affair. Bagge’s rubbery, cross-hatched caricatures may not be for everybody, but there’s truly nothing else in comics like them, and they are perfectly suited to the grotesque lives, both real and imagined, that they depict. The surprisingly violent conclusion is strangely unsatisfying, but the repeated jabs at the characters’ cartoonishly sad-sack lifestyles and the equally ridiculous internet fantasies they retreat into are what stays with you after you’ve finished reading.

 

The Flash #1, by Geoff Johns and Francis Manapul: DC has taken a lot of flack for bringing back Silver Age mainstay Barry Allen—fair enough, considering that most of their current readership grew up reading the adventures of his protégé, Wally West—but here’s the thing; having Allen as the Flash in a new number one issue makes sense because he’s the easiest version of the character to explain to new readers. Hit by lightning, showered by chemicals, Fastest Man Alive. There you go. Sure, he’s got tons of baggage if you start factoring in his death and rebirth, his stint as a married father in the distant future, and all that other crap, but this first issue wisely sidesteps all that, focusing instead on what I hope will set this series apart from the previous run (see what I did there?): the fact that Barry Allen is a police scientist, so he is actually going to be solving mysteries instead of just running around fighting bad guys. Manapul’s art is just as lovely here as it was in his short-lived stint on Adventure Comics, and I hope he’s in it for the long haul. This is a fun, accessible, great-looking debut, with one of those cool two-page teaser ads at the end (like the ones Johns did for Legion of Three Worlds and Sinestro Corps) for an upcoming event called Flashpoint. I have no idea what it could be about, but it looks cool. Let’s hope DC doesn’t water it down with a kajillion crossovers, but who am I kidding? Of course they will.

 

Kill Shakespeare #1, by Conor McCreery, Anthony Del Col, and Andy Belanger: I know Johnathan already covered this IDW book and its fascinating shared universe, where the Bard’s most famous creations join forces to destroy him, a few days ago, but I wanted to throw in my two cents as well. This is a very cool, original concept, executed with terrific skill and style. There are a lot of comparisons to be made to League of Extraordinary Gentlemen being thrown around in regards to this series, and that’s a pretty big compliment in my book. The premise may be a bit intimidating to anyone not well versed in Shakespeare, but it’s a lot more accessible than you might think at first. For instance, I haven’t read Richard III, but I recognized the hunchbacked, shriveled-armed monarch as soon as he appeared. You could just look at Kill Shakespeare as a simple adventure story framed by a larger literary backdrop if you like, one with witches and pirates and ghosts, and you’d enjoy it just as much. Belanger’s art is detailed and stylish as well, just as impressive in moments of quiet dread (like Hamlet’s father’s ghost appearing from the mists) as it is in action scenes (such as the first issue’s big set piece, a pirate attack on the boat carrying Hamlet to England). And the creators are Canadian! Really, you have no excuse to miss this. 

Move over, "Jimmy Olsen's Blues"

I noticed long, long ago that the lyrics that musicians in super-hero comics sing are rarely... less than awful. Now, I could simply be biased due to having read too many issues of Teen Titans featuring Bob Haney-style mod-rock ("Yeah yeah yeah! Rock rock rock!"), but I'm still almost physically shocked when I encounter a funny-book singer actually singing something that humans might pay to listen to. Imagine my shock, then, when I read Action Comics No. 6 and found what might just be my favourite song about Superman, ever. And before you ask: yes, this includes "Sunshine Superman", "Superman's Song" and even that one where 3 Doors Down asks about whether I will still call him Superman if he goes crazy.

As a bonus, here's a Golden Age Clark Kent shutdown. That guy just can't get a break!

 If this has not yet been recorded by a brassy chanteuse then the world is not as magical as I'd hoped.

Second bonus: adorable music fan Lois Lane.

John, That Loveable Scamp, Buys Comics

Daytripper No. 5 (of 10)

It's kind of hard to give a recap of this comic, given the way that it's being told, but here's an approximation: Daytripper is kind of the story of the life of a man named Brás. Kind of because the story is being told out of sequence, and also because (and here's where you want to stop reading if you're planning on approaching the trade completely without knowledge) he dies at the end of each issue. There's a lot more that I could lay out for you - about his job and family and the circumstances of his birth and so on - but I think that the thing that I really want to convey is that each issue is a perfect tale of the last day of this particular man's life, with Moon and Bá providing their signature astonishing art (and my fave Dave Stewart on colours). With a bit of rewriting this could be a series about a collection of unrelated men and it would be a delight, but at the halfway mark I can tell that something excellent is going to come of all of this.

There is no question that I am missing things here. I don't even know how to locate my copies of the first four issues, so there's no question of me going back and rereading for comparison, but I have a hunch that there are slight changes occurring in Brás' life story, that it's not merely being cut off at different points along the way but that we are seeing different iterations of him, like his life has been split with a prism. As a result of this, as fantastic as this book is in monthly doses, I reckon that it's going to be incredibly rewarding to read in trade. It's definitely going to enter into my stable of books to be lent to people who get a bit sniffy about super-heroes.

Brightest Day No. 0

I have determined that my biggest mistake with Blackest Night was that I was thinking about it too much.  I guess it was kind of natural that I would ponder it from time to time, since it went on for, like, ever. I just shouldn't have tried to analyze a continuity-heavy event comic, as there is no way to come out ahead in that game. I just have to go with the flow.

And hey, I like this event better than the last one already! It looks like at least half of the characters involved are going to have interesting story arcs and Boston Brand makes a decent narrator, even as Aliveman. And this is, after all, the final act of the whole years-long Lantern story - this is the part of the thing where Geoff Johns historically shines, especially for me. I can't tell you how many times he has won me over with a good ending after making me hate a story's middle.

So I hereby resolve not to overexamine or nitpick this thing until I go crazy with nerdrage. Mr Read and Appreciate For What it is, that's me.

I will however be keeping track of the number of times that characters in [Brightest Day] say "Brightest day." So far: 2.

Doc Savage No. 1

I heard a review of First Wave No. 1 when it came out - I do believe that it was on the Awesomed by Comics podcast - that had as its main negative point the fact that upon reading the comic you had absolutely no clue who anybody involved was. And of course I was ready to scoff, because how could anyone not know Doc Savage or Renny or Monk Mayfair? But then I remembered that Doc Savage hadn't been in anything more prominent than a miniseries or D-movie for longer than my parents have been alive and that I am in fact a giant nerd, especially about this kind of thing.

So it's a good thing that Paul Malmont does such a terrific job of writing backstory and character details into the plot of this comic without breaking the flow - stuff like introducing characters as they practice their specialties or having Doc make smalltalk with two children to keep them calm while rescuing them from a burning building. It's a nice bit of writing, hampered only a little by the somewhat inconsistent art and gigantic manga eyes that everyone has. They... they make me uncomfortable.

As for the backup, well, I know a lot less about the Avenger than Doc, so I'll hold off on shooting my mouth off for a couple of issues. Dude sure does look mean though.

Kill Shakespeare No. 1

Ha ha, I'm a fool. I could have gotten a review copy of this, like two weeks ago and I didn't get around to doing anything long enough for it to slip my mind entirely. Of course, usually when I do that it's a terrible WWE comic or something and I don't care. This time, I straight-up suck.

Fool or no, I recognize a fun comic when I see (and pay cash for, damn it) one, and this is exactly that. I'm about to compare it to League of Extraordinary Gentlemen, but not in a damning way - there is no imitation here, no squad of the Bard's best and brightest assembled by Falstaff in order to combat the nigh-unstoppable Bowdlerization Army. Rather, this book lives in the same joyful part of the Adventure/Black Humour/Reference Spotting Venn Diagram that League or, say, Fables (and The Unwritten, more and more) does. In other words, it's the kind of book that you appreciate both for its plot and for the skill with which aspects of other stories are being incorporated into this one.

Thus far,  Hamlet has been banished from Denmark, fought pirates and met Richard III, the legendary horseless bastard and possibly my favourite character from Shakespeare. Plus: ghosts, witches, dogs and divers alarums! Conor McCreery, Anthony Del Col and Andy Belanger: excellent book. I deeply regret having to pay you for it. Wait...

Turf No. 1 (of 5) - This came out last week and I missed it - so foolish. I bought a lot of damn books this week, though, so I'll wait until issue 2 to gush about it. Tiny review: vampires and aliens and gangsters in Prohibition-era New York. Looks fantastic. The kind of book that takes a long time to read and makes you wish it took longer.

Adventure Comics No. 10 - Did I accidently buy two copies of this? Damn it, I did. CURSE YOU, VARIANT COVERS! CURSE YOOOOOOOOOOOOUUUUUUUUUUUUUUUUUUU!

Action Comics No. 888 - I know I complain about the Project 7734 stuff in the Superman books a lot (note: this is because it is an INSANELY BORING comic book trope), but it's just one aspect of what's been going on for the last year or so, and I've really been enjoying the rest - particularly the stuff with Nightwing and Flamebird. And hey look: this comic is all about those two crazy kids and their crazy bird spirits!

Secret Six No. 20 - When I finished issue 19 of this book, I was pretty sure that the next issue would not feature Catman killing all or some of his team-mates, but I had to admit that the possibility was there. I am so happy about this! Gail Simone, how did you get me to think that maybe you would kill off a portion of your cast like that? Why are you so good at this?