Podcast - Episode 70: Funnies!

Time to laugh again! This week Dave and I share some of our favourite humour comics, past and present.

Guys, why isn't there an online database of Far Side cartoons? I feel like this is a major flaw in the internet. Like, what is the internet even for?!

Here are a few favourite Far Side cartoons. I could have looked at Gary Larson's entire catalogue for days and days, honestly.

Here are those Far Side cartoons that had the captions swapped with Dennis the Menace. Dave and I almost remembered these correctly:


And here is the very excellent page from Drew Friedman's Any Similarity to Persons Alive or Dead is Purely Coincidental:


We talk quite a bit about Nicholas Guerwitch's Perry Bible Fellowship. I don't think there have been new strips in awhile, but the site has all of the strips archived and you should go read all of them. Here are some faves, including some of the ones mentioned on the podcast:

Michael Kupperman is a master, and I had a hard time choosing just a couple of things to post here as examples, but here's what I decided on:

Seriously so great. I can't recommend buying the collected volumes of Tales Designed to Thrizzle enough. And as a bonus, here are a couple of panels from the Namor comic he did for Marvel's Strange Tales #1 back in 2009:

Kate Beaton is, obviously, awesome. Here is a festive Christmas strip from, like, 2007 or so. You can buy things through her website and you SHOULD.

Here are a couple of panels from the Kraven the Hunter comic she did for Marvel's Strange Tales II in 2010, in which he needs a prom date:

Alright! Go read some funny things and try to deal with everything!

Poor Falcon. (No Spoilers, I Promise)

So, that Marvel Star Wars omnibus from Dark Horse I mentioned in last week's reviews? I basically thought I'd be working on that thing for a month or two, or that I might even have a hard time reading it at all after a point. Turns out I'm nearly finished all 500 pages of it! It was actually kind of tough to tear myself away from it to read new comics this week. I don't know what this says about me--I think it probably has more to do with the irresistible pull of nostalgia than the quality of the comics themselves--but I'm already committing myself to buying the next volume this fall. In the meantime, there are new comics out there too! Every week, it seems!


Tom Strong and The Robots of Doom #1: I can’t help but wonder—does Alan Moore have any say in DC/Wildstorms’ continuing use of his America’s Best Comics characters? That’s not to say that there hasn’t been interesting material released without his consent, if that is in fact the case; last year’s Top Ten Season Two miniseries was quite good, and I also enjoyed the first issue of this new Tom Strong four-parter. It doesn’t hurt that in both cases, the original series artist—Gene Ha on the former, and Chris Sprouse on the latter—returned to handle the visuals. Sadly, it’s really hard to get anyone excited about these characters without the involvement of Mr. Moore, and that’s a shame because there’s clearly a lot of life left in his ideas. I don’t know that this new Tom Strong series--in which Tom’s evil Nazi bastard kid Albrecht messes around with the timestream, using an indestructible robot army to win World War II for the Axis—is particularly new reader-friendly, as it builds naturally off of several stories from the book’s original run. Peter Hogan’s script does make a point of dropping some on-the-go introductions of Tom’s cast, like his wife Dhalua, his daughter Tesla, their robotic butler Pneuman, and the family’s intelligent gorilla pal King Solomon, but it’s not long before this group is irrevocably altered by Albrecht’s machinations. Like I said, a bit daunting for newbies, but for old fogies like me who remember that, only a little over a decade ago when we had four or five ongoing superhero (I’m sorry, science hero) comics written by Moore being published at the same time, it’s like visiting with old friends.


Tales Designed To Thrizzle #6: I never quite realize how much I miss Michael Kupperman’s roughly-annual blasts of ridiculousness, until a new issue drops and it’s like a breath of fresh, absurd air. In this latest issue, new features like Jungle Princess (which deals with the threats of rhino smuggling and falling magazine ad revenues in equal measure) and All About Drainage share page space with classic Thrizzle bits like Twain & Einstein. My personal favourite strip this time out is Willie Wealth, a Richie Rich parody that calls attention to the serious problem of eating your wealth as though it were food. Thrizzle may not be for everyone—if you don’t enjoy surreal comedy in the vein of Adult Swim’s Aqua Teen Hunger Force or Tim & Eric Awesome Show Great Job, you may want to give this one a wide berth. However, if phrases like “I am farting my way to a beatoff bonanza” makes you giggle uncontrollably for way too long, then you seriously need to get thrizzled.

 Captain America #606: A brand new story arc kicks off this issue, with the current Baron Zemo plotting revenge against the current Captain America. Makes sense, I suppose; killing Bucky at the end of WWII was always the original Baron’s greatest achievement, and now it’s basically  meaningless. I already like this arc better than the previous one, which just sort of petered out at the end. I’ve always loved Baron Zemo, and he makes a great return to villainous form here, assembling a bunch of like-minded badasses to start some trouble. There’s a cool Kirby-inspired throwdown with the Wrecking Crew, and a classy tip of the hat to Steranko in a nightmare sequence later on, but…is it just me, or does somebody on the production end of things have it in for the Falcon? At one point, the top of his head is cut off…

…but that’s far less insulting than the fact that his half of a double-page spread appears to have been cropped out entirely to make room for a Honda ad!

Now obviously, I’m not 100% sure that’s what happened here, but I can’t imagine why Butch Guice would draw his legs in there if the rest of him wasn’t supposed to be visible too. Mighty suspicious.


Batman #700: A Grant Morrison comic can be plenty confusing even without the introduction of time travel. But even though the central mystery of this extra-sized anniversary issue, which involves a time-travelling “Maybe Machine”, the Joker’s lost Jokebook, and several incarnations of Batman over the decades (centuries, even), didn’t make a lot of sense, it was still a fun, multi-faceted look at the character’s many iterations over the years. I’m not sure that Tony Daniel was the right artistic choice to illustrate the Biff! Pow! era of Batman’s career—wouldn’t someone with the pop-art sensiblities of, say, Mike Allred have been more appropriate?--but I think he mostly pulls it off.  I also wish Frank Quitely could have drawn the entirety of the present-day Dick Grayson Batman segment (Scott Kolins ably handles the last three pages, but the change in styles is pretty jarring), but it was cool to see Andy Kubert return to the title to revisit the sinister Damian Wayne future-Batman last seen in #666.  As an aside, this issue cemented my enjoyment of Dick as Batman once and for all—the scene where he calls a GCPD officer by his first name and asks how his kid is doing had me grinning.


Moving Pictures: This new Top Shelf-published book from Kathryn and Stuart Immonen is one of those books that must be read very carefully—there’s just as much, if not more, going on between the panels as there is within them. Set during the German occupation of France during WWII, Moving Pictures follows a museum curator, a Canadian woman named Ila, as she attempts to hide, and thereby protect, several priceless art pieces from being claimed by the Nazi treasuries. This scheme is made more complicated by her romantic involvement with an officer from the Military Art Commission, who is charged with finding the missing art. The story shifts back and forth in time, beginning with Ila being questioned by Rolf, gradually revealing more about her plot and their relationship in a series of flashbacks. This is a story of historical intrigue that, despite its particular backdrop, avoids the usual imagery of Nazi soldiers, concentration camps, or firearms of any kind; what we don’t see on the page remains just as terrible a threat as it would if we had seen it. That controlled, assured subtlety in Kathryn Immonen’s script elevates Moving Pictures from a simple tale of wartime intrigue into a more complex meditation on the personal and cultural significance of art. Stuart Immonen’s art is equally spare, his characters realized from the simplest of shapes and often defined by the shadows around them. A quietly affecting historical drama, as far removed from the couple’s recent Marvel Comics work as you can imagine.

This Week's Haul: Mommy, why is that man licking Batman's skull?

Blackest Night #1

Ok, so I finish reading this week's Wednesday Comics and I am all smiles about Kyle Baker's Hawkman (that thumbs up and smile?! Seriously!). Then I read Blackest Night and...maybe I didn't read these things in the correct order.

Wednesday Comics fills me with love and happiness when I read it. I love those characters, and you can tell that everyone writing or drawing the comics loves them too. And then Blackest Night was just so...messed up.

SPOLIERZZZZZ!!! If you haven't read Blackest Night yet, and don't want to be spoiled, stop reading now.

I have been looking forward to this since it was first announced, and that was like two years ago. I loved The Sinestro Corps War, I love Geoff Johns, I love Ivan Reis and I love Green Lantern comics. I don't want to judge too harshly after one issue, but was very reminiscent of the kind of comics I don't like. It was a lot of over-the-top, nineties-style dark sensationalism. And I know that it's silly to accuse a comic book of being sensationalist, as if they are supposed to be something else, but this just seemed like, y'know, Carnage or Spawn or Knightfall. I felt like it was aimed more at the barbed wire Superman symbol tattoo set, or those who might wear this t-shirt, or this one, than at those of us who love superheroes. I'm not against dark in my comics, or character death. That's not really my problem here. I liked Identity Crisis and Final Crisis, and I am sure that from all the darkness in Blackest Night there will be great moments of heroic triumph in future issues. But isn't there a better way of getting to it than zombie Ralph and Sue Dibny?

Also: skull-licking.

I will doubtlessly be buying and reading the entire series, but for now I am going to say that the beginning was way over-the-top and, for me, disappointing. The whole thing made me want to grab all my Showcase Presents books and hug them.

Wednesday Comics #2

Last week I declared Superman to be the winner, more or less, of the first issue of Wednesday Comics. This week it falls far behind thanks to an abrupt scene change to Superman and Batman engaging in one of their usual rooftop chats about Superman's humanity (or lack of). As much as I love those two hanging out, it was pretty unoriginal. This week I felt the strongest comics were Metamorpho, Supergirl, Hawkman, Batman and Kamandi. The Deadman page was really hot looking, too.

Super Friends #17

DC Kids tries to cash in on the Obama comics craze with a cameo that never really calls the President by name, but you know it's him. Then they go back in time to stop Chronos from turning the nation into the United States of Chronos. Oh, Chronos. It's always something with you.

Hey, the second trade collection of Super Friends came out this week too! Buy it for your kids!

All Select Comics #1

Michael Kupperman does a comic for Marvel! He wrote and drew the back-up in the 70th Anniversary comic that revisits some of Marvel's Golden Age characters. Kupperman does a hilarious short comic about Marvex the Super Robot, which is followed by a couple of Golden Age Marvex reprints (which are no less absurd than Kupperman's parody). Absolutley worth buying for the Kupperman comic alone, All Select also features a pretty neat Blonde Phantom story by Marc Guggenheim that is more like illustrated prose than a comic.

Captain America #601

This was amusingly called a very special issue of Captain America on the cover. It was very special because it is drawn by Gene Colan, but based on these first page panels, I thought it was because Bucky and Nick Fury were finally going to make out:

This issue is sure to be a hit with teen girls because it is jam packed with vampires. Man, as if WWII didn't suck enough, Cap had to fight vampires too?! There must have been times that he wished he didn't volunteer for the experimental super soldier serum.

Rasl #5

I was going to just buy the trades of this, but since the issues are only coming out three times a year I decided I couldn't wait that long. Rasl is awesome. And Jeff Smith seems to getting all of his years of writing PG comics worth of frustrations out by having the characters do it a lot in this series.

Nexus: Space Opera Conclusion

I'd say it's a rare week indeed when we get a new issue of Rasl AND a new issue of Nexus. Sadly, this is the end of the road for Nexus, at least for now. It started with a great first issue a couple of years ago...and then a reprint of Nexus's origin...and then the second issue...and then another reprint of the origin...and then a Manga-sized collection of the first issues of Nexus...and now this double issue that collects the final two issues of what has turned out to be a 4-part mini-series. Oh well. As per usual, this issue of Nexus is beautiful and fun.

Angel: After the Fall vol 4 HC

Aw man. Like it isn't embarassing enough for me to be buying these hardcovers, they go a slap this cover on the newest one. Gross. I could not get it in my shopping bag and away from judging eyes fast enough.

I haven't read this yet, I just want to point out how bad the cover is.